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April 25, 2023 09:39

NAAMA interviews academic Charlotte Dann on tattoo misconceptions

Laser Removal

NAAMA interviews academic Charlotte Dann on tattoo misconceptions

Many of our misconceptions about laser tattoo removal are rooted in the stories we’ve been told about how the world of tattoos used to be. These may be stories about permanence, regret, or in what contexts tattoos are and are not appropriate.

For the second instalment of our interview series with tattoo academic Charlotte Dann we debunk all of this, asking, among other things, why do people still talk about tattoo regret when it is possible to safely and near-painlessly remove a tattoo?

Charlotte is a Senior Lecturer in Psychology at the University of Northampton and has first-hand experience of laser tattoo removal (not with us, but rather with a much older technology) – so she’s the perfect person to get into all of this with.

Together we discuss:

  • Why do people think tattoos are permanent?
  • What jobs don’t allow tattoos?
  • How can tattoos bridge gaps and foster connection?
  • Charlotte Dann tattoo expert

    "The tech has come so far forward and made it so much more accessible. Younger generations today feel a lot more comfortable knowing that, yeah, it's there. But there are options. It has changed the conversation around tattooing."

    NAAMA: You had a tattoo removed yourself and know that it’s a myth that they are permanent.

    Yeah, absolutely. It was definitely the focus that held for such a long time: that tattoos are permanent, and you can't change them. That's how they tried to put young people off getting them, but everyone rebelled and got them anyway.

    I had a tattoo lasered years ago now and then had something done over the top of it. And just talking about it at the time, I remember people thinking that it meant it was a regret. That discourse is problematic. It’s as if by getting a tattoo and knowing that it's going to be permanent, you're not allowed to regret it because then everyone's going to be like, ‘told you so.’ I just didn't like the tattoo anymore. And that's fine.

    The tech has come so far forward and made it so much more accessible. Younger generations today feel a lot more comfortable knowing that, yeah, it's there. But there are options. It has changed the conversation around tattooing.

    NAAMA: A big part of the anxiety over tattoos used to be about how you would look at certain milestones in your life. Can you tell us a bit about that?

    Absolutely yes. The three things that seem to come up the most are what you're going to look like for your job. What you're going to look like on your wedding day, and lastly, at the school gates.

    Already, culturally, you've got three expectations in there. You're going to have a job and you want to look professional, whatever that means. You're going to get married, like everyone wants to get married. And you're going to have kids, like everyone has kids.

    Your skin. Your story

    NAAMA: You argue that we should see tattooing in a more nuanced way, with class altering the types of imagery people get.

    The predominant thing in my research is class. We can talk about class in such a nuanced way in this country. And I don't think it's easy to say people are working class or people are middle class or upper class. I think the boundaries are blurred a little bit. But tattoos are still in that working-class realm.

    It's about where they are on your body and the kind of imagery that you get, and the kind of body that you have. This all feeds into class-based stereotypes.

    When I was younger, I remember getting some tattoos in places that seemed really sketchy. And the context of where you go matters. Think of someone who gets a little heart on their wrist in a parlour. That’s positioned very differently from a class perspective to someone going to a studio and getting a full sleeve that's brightly coloured.

    NAAMA: Tattoos are more permissible in some professions than others, why is that?

    I always give the example that you wouldn't go to a tattoo artist who wasn't tattooed themselves. It’s the one profession where you expect it. And perhaps the stereotypical association is that people that are in artistic or creative jobs can get away with tattoos more than other professional roles (doctors and lawyers) - I want to say lecturing, but I think we're kind of pushing back enough at that now.

    There’s an association with professionalism that's class-based.

    NAAMA: Our studio photographer often finds that their tattoos get clients talking and make them feel more comfortable.

    When I went in for my C-section for my daughter all of the people in the operating theatre were talking to me about my tattoos. It felt so funny, some of them probably had tattoos themselves, but they had to cover them up. They can't talk about them so freely.

    If you are a counsellor or a therapist it can be a point of contact - and yes, there's a boundary element, how much you give yourself away – but it's a point of connection with your clients.

    Very early in my research I looked at tattoos and mental health. At the time it was in the news about police officers being allowed to show their tattoos or not. But it's a point of connection. It shows that you're human and you're not just your role.

    Tattoo removal for tattoo lovers

    If you’d like to speak to one of our expert consultants about a tattoo that you have fallen out of love with, in a totally professional and non-judgemental environment, why not book a patch test and consultation?

    For more on tattoo culture, read our interview now with tattoo ink expert John Swierk.

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